I’ve been away from my blog as I’ve been planning and then moving my studio to a new, much larger space. A flood forced the move, but it turned out to be an excellent one. So I have some catching-you-up to do. Here’s a quick recap of what’s been of note to me outside the […]
Above, Waves (detail), 2013, polymer, reflective and interference pigment on canvas was sold to a private collector. For years I’ve been inclined to put down subtle washes that I would build, layer upon layer. I was immersed in the recognition of fast painting for so long during the eighties I reacted by defying painterly-ness […]
Does something have to ‘replace’ painting in the evolution of Art History? It’s kind of up to all of us to declare it dead–or not; artists, collectors, curators, gallerists, museum directors,viewers, etc.,despite what a few may believe. For me, painting is very much alive. Then again, I don’t buy in to the idea that something […]
Today, there will be no universal dis-embodied voice charting my course or suggesting my re-calculation. No i-pads, no computer stylus set for digital drawing. I’ll be brainstorming much of the day and I’ve packed lightly. Supplies for the trip: coffee, sketch paper and a graphite pencil (No 2). You laugh, ‘What could you possibly discover […]
Okay, here’s a sneak-peek into the studio today. This diptych is one of several moderately large pieces I’ve been working on. The fracturing, floating, fogging imagery has my head going to places that spawn new ideas before I’ve even finished the piece in front of me.
This is a print I pulled with James Rosenquist in 1988. The limited edition serigraph was for Brandeis University National Women’s Committee. I had just moved to Manhattan and was pleased to have been introduced to adjoining print shops where I worked printing and assisting a variety of artists. Rosenquist was one. Happy Birthday James Rosenquist!
I’ve been working in several directions lately. This large detail from a recent piece represents one. My use of reflective and interference pigments is employed to address concerns of ‘worlds within worlds,’ occlusions, modifying purchase and perspectives. However, some of these images are making their way into new media, and with that shift, another sort of […]
First, let me say that this story is Elaine de Kooning’s story and not mine. I had heard it while printmaking and acting as quality control for a series of lithographs by some of the leading members of the New York School of Abstract Expressionism. I was just a baby, newly minted from the Rhode […]
I was recently out of town when I walked into a ‘reputable gallery,’ thinking if I found a small ‘gem’ I might buy it. Yes, as an artist, I like other work as well as my own and will trade with an artist or, on occasion, buy another artist’s work. As I walked into the beautiful space, […]
While preparing a PowerPoint about my work for an upcoming talk in Aspen, I discovered an image from the archives: Susan Rothenberg visiting my studio. This image was taken back when my work was more figurative. As I remember, we talked about how the figures almost lost there identity as human forms and became suggestive […]